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I thought I'd keep this account up as a reminder of where I started, but I've archived 99% of my 1,800 posts now that it's 2018. You were great dA, but I've moved on to bigger and better things.
Thanks for the memories.
Thanks for the memories.
BBC TOP GEAR + SRT, DODGE
2013 SRT Viper GTS
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2013 Dodge Dart R/T & Limited
Hahaha, awesome! Everyone should apply! http://moonbeam13.deviantart.com/journal/Dodge-Dart-Inspired-By-You-Contest-296645585
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Resurrection and Reboot
Back with a vengeance. ;)
1969 & 2010 Chevrolet Camaro by Oracle Lighting
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2008 Chevrolet Corvette Z06 by Lingenfelter
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Commercial Automotive Photography and Me
As some of you know I've been shooting a lot of the official press release photography for Chrysler since August. I've done twelve vehicles for Dodge, two for Chrysler, and one for Ram.
Originally I wasn't going to publish my corporate work here, but since I've been shooting almost exclusively for the companies since August, with little time to continue my freelance work with private owners- and since I know some of you are dying to see some new work- I decided to end the wait and instead post some of my favorites from the press kits.
2012 CHRYSLER 300 SRT8
The first look at the next generation 300 SRT8, unveiled at th2 2011 New York Auto
The Unseen Challenger and the results of my poll
As you all know, I was pretty torn about which way to go with my poll about a new lens. So I decided instead of get a new lens every six months, to just do it all at once. So I did. And this just arrived this morning.
(Coincidentally, I'm now selling my 17-40mm f/4L and my 70-200mm f/4L if anyone's interested).
This session was commissioned by duPont Registry in April, to be used as the cover vehicle for this month's issue, but their client changed their mind after the series was already shot and edited, so it's remained unseen by the public eye for six months.
Since then, I have been waiting for another publication to run the images, but
© 2013 - 2024 notbland
Comments5
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So the corp stuff looks awesome as normal of course. But I got a question, do you have to tone down your work when you do an official shoot? Or do they give you free reign?